A worth while revival of a 1982 play of interest as it signals what was to come from Kevin Elyot, although it is showing its age - but saved by good performances all round.

The perils of becoming an internet sensation are revealed in this baffling monologue devised for radio by Rose Heiney. It may have sounded better there as a piece of radio drama but it is not the stuff of the stage. Just as what happens in Vegas should stay there so too it should be for Radio Four.

Famously lampooned by Forbidden Broadway as I Sleep with Everyone, the leading ballad, Love Changes Everything is apparently Lloyd Webber's most successful song. The show is one in which the sexual roundabout involving some far from loveable people gets tedious although director Jonathon O'Boyle does his best with this production which originated at the Hope Mill Theatre Manchester last year.

The smell of the greasepaint and the roar of the crowd are there in this spellbinding monologue delivered with skill and pathos by Peter Duncan as an ageing comic, star of panto and summer show, who has seen better days.

Dazzlingly performed, staged and directed but uninvolving play about low life in LA.

Martha Plimpton's performance is one not to miss - the Donmar has ended 2018 with one of the best plays of the year.

An enthralling evening with at its heart a superb performance by Sharon D Clarke.

A story of a world heading to destruction and a girl's journey to the underworld.