FIREWORKS to 14 03 15

Fireworks (Al’ab Nariya)
By Dalia Taha
Translated by Clem Naylor

Royal Court Theatre
Jerwood Theatre Upstairs,
Sloane Square,
London SW1W 8AS

Mon-Sat 7.45pm; Thurs, Sat mats 3.00pm

Captioned perf: Wed, Mar 11, 7.45pm

Runs: 1hr 25 mins without interval, to 14 March

TICKETS 020 7565 -5000
In person: Mon–Sat, 10am-start of perf or 6pm if no show

Age guidance: 14+

Mondays all tickets £10; concs £5 off two top prices on daily standby; for 25s and under; School and HE groups of 8+; groups of 6+
Access: £12 + companion
*ID required. All discounts are subject to availability

Review: by Carole Woddis of performance seen Feb 20, 2015:

The Court strikes gold.
The Royal Court’s International writing programme is still one that goes largely unsung and almost always undervalued. For nearly 20 years they’ve been scouring the world, running writing workshops and for at least seventeen of them, in Palestine.

With Dalia Taha’s Fireworks, they’ve really struck gold. A novelist and poet (who was brought up in Ramallah though born in Berlin), Fireworks is the first production by a Palestinian playwright from the Royal Court’s International scheme. Despite its subject – inevitably sombre not to say agonising – of the effect on two families living under the siege of Ramallah in 2002, its tone turns out to be both wonderfully tender and humorous as well as shocking.

Geopolitically, the subject is fraught with cultural danger. Two plays in the `noughties’ – My Name is Rachel and Caryl Churchill’s Seven Jewish Children –each set off firestorms of comment due to their perceived pro-Palestinian sympathies.

Fireworks ostensibly falls into a similar category but such is the gentle universality of Taha’s writing, its war situation could as easily be applied to any other current war torn situation. Its style though has more in common with other Palestinian companies who have visited the UK in recent years being both surreal and absurdist despite the horrific context.

Humour we know is the most potent of weapons in the face of horror and here Taha weaves a marvellous texture of play, fantasy, protectiveness and anguish as the parents of two teenagers, Khalil and Lubna struggle to keep up a sense of normality in a day-to-day existence determined by death and destruction.

Richard Twyman’s production, set in one room criss-crossed by bare wires and light bulbs is an eloquent expression of the deprivation under which the families are living. But it is the playing together with Taha’s writing that makes Fireworks – euphemism for bombs – so delicately memorable.

There are exquisite performances from Palestinian actor Saleh Bakri and Sirine Saba as the parents devastated by the loss of their little boy as well as by the two young actors – Eden Nathenson and George Karageorgis – as Lubna and Khalil whose childhood is as smashed as the buildings destroyed around them.

Pretty fab.

Fireworks (Al’ab Nariya)
By Dalia Taha
Translated by Clem Naylor

Khalid: Saleh Bakri
Ahmad: Nabil Elouahabi
Khalil: George Karageorgis
Samar: Shereen Martin
Lubna: Eden Nathenson
Nahla: Sirine Saba

Director: Richard Twyman
Designer: Lizzie Clachan
Lighting Designer: Natasha Chivers
Composer: Benedict Taylor
Sound Designer: George Dennis
Voice & Dialect Coach: Xabarjad Salam
Assistant Director: Diyan Zora
Casting Director: Louis Hammond

International Director: Elyse Dodgson
International Administrator: Callum Smith
Fight Director: Bret Yount

Chaperones: Justin Kielty, Tanya Shields & David Russell

Fireworks (Al’ab Nariya) was first performed at the Royal Court Jerwood Theatre Upstairs, Sloane Square, London, Feb 12, 2015

Fireworks is presented as part of the International Playwrights: A Genesis Foundation project, with additional support from the British Council and the AM Qattan Foundation.

For more info see:

2015-02-22 14:48:06

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