Goldilocks and the Three Bears: Panto Brilliance
In the captivating atmosphere of Richmond Theatre, the performance “Goldilocks and the Three Bears” transforms into a pantomime extravaganza set to charm audiences of all ages.
Matt Baker, renowned for his television appearances, graces the stage as the delightful clown Joey, leading a stellar troupe that merges circus wonder with timeless fairytale glee. This review delves into the onstage magic that captivated audiences until December 31, 2022.
Goldilocks and the Three Bears Review
If you’ve never tuned in to hit shows like “The One Show,” “Country File,” or “Our Farm In The Dales,” you might underestimate Matt Baker’s lead role.
Yet, it quickly becomes evident that Baker’s charm, comedic prowess, and tightrope artistry are more than enough to captivate the audience:
- In this refreshing twist on the classic tale, Alan McHugh’s reimagined storyline takes a backseat, morphing into a riveting blend reminiscent of “Barnum” and “The Greatest Showman.” The familiar query “Who’s been sleeping in my bed?” is almost an afterthought, yet the spirit of pantomime is alive and well;
- At the narrative’s heart lies a circus run by the fairy-tale like Madame Betty Barnum, brought to life with flair by Nigel Ellacott. Goldilocks (Tamara Morgan), Betty’s daughter, and the clown Joey (Baker) are entangled in a love quest with Joey yearning for her affection and the stardom of the circus ring;
- A high point is Baker’s breathtaking tightrope performance. The villainess, Countess Von Winklebottom, portrayed with astonishing flair by Jessica Martin, schemes to take over the circus and resorts to kidnapping the three bears for her menagerie. This is the narrative’s extent, but within this pantomime, the story merely sets the stage for the splendid spectacle;
- Costumes bedazzled with sequins, stunning acts, and a spirited ensemble that dances brilliantly fill the stage with vivacity and cheer. Although the sets are relatively simple, a profusion of sparkling lights and well-timed pyrotechnics ensure visual splendor. Audience participation lends the performance a delightful ambiance, with Betty’s chosen ‘victim’ often becoming the highlight of the show;
- In the spectacular closing act, the leading performers shine, with clown Joey Baker repeatedly delivering comic delights. A heartfelt curtain call reveals the ensemble’s members are still honing their craft in college, a testament to the remarkable talent on stage. As the cover boldly claims, Betty Barnum’s circus is the greatest show, and indeed, the performance lives up to that bold declaration;
- The evening is made even more magical by two standout acts: Phil Hitchcock’s mesmerizing fire and dove illusions and Gordon Marques’s expert juggling add a layer of wonder to the night.
What’s exceptional is the show’s universal appeal, captivating both the young and the young-at-heart, underscoring the pantomime’s broad allure.
Conclusion
The “Goldilocks and the Three Bears” show at Richmond Theatre has made its mark. With the cast’s charismatic performances, dazzling visual treats, and a wealth of heartfelt moments, this production stands out as possibly the finest pantomime in and beyond London.
Whether you’re a child or simply young at heart, this show promises an unforgettable experience that will touch your soul. Don’t miss out on this sensational family entertainment!