Experience Matthew Bourne’s Sleeping Beauty in Nottingham!
On a chilly January evening, the historic Theatre Royal in Nottingham buzzed with anticipation. On January 24, 2023, theatre enthusiasts and ballet aficionados gathered to witness Matthew Bourne’s reimagined “Sleeping Beauty.” Even a decade post its inaugural performance, the enchanting essence of this ballet remains undiminished. Moreover, for those unable to attend the premiere, there’s good news: the performance will tour until April 2023, allowing many more to revel in its magic.
Bourne’s Craftsmanship: Reviving a Time-Honored Tale
Matthew Bourne is a master of his craft. He’s more than just a storyteller; he’s an innovator who can dissect the core of age-old tales and breathe into them a fresh, contemporary spirit. His rendition of “Sleeping Beauty” stands as a testament to this unique ability. Traditionally, the fairy tale revolves around a young princess, put into a deep slumber for a century, destined to be awakened by her prince’s love-filled kiss. This story is set against the ever-enthralling battle between benevolent and malevolent fairies. However, Bourne’s interpretation diverges and delves deeper.
In this narrative, Princess Aurora, beautifully portrayed by Ashley Shaw, isn’t born royalty but is rather a boon bestowed upon a barren king and queen by the enigmatic Dark Fairy Carabosse, brought to life by the talented Jackson Fisch. Yet, this seemingly gracious act becomes tainted when the royal couple, in their joy and perhaps negligence, forget to extend their gratitude towards Carabosse. Little did they realize the grave repercussions of overlooking a simple thank-you, particularly with someone of Carabosse’s temperament.
As the tale celebrates its 10th anniversary, a new facet is introduced in the form of Leo, depicted by the passionate Andrew Monaghan. Leo isn’t royalty, nor is he affluent. But what he lacks in wealth, he compensates with an unyielding love for Aurora. The narrative is further enriched by the character of Count Lilac, the benevolent leader of the fairies, portrayed by Dominic North. With his assistance, Leo transcends the boundaries of the curse’s temporal constraints. However, as the malevolent shadow of Carabosse wanes with time, a new threat emerges in her son, Caradoc, who is thirsty for vengeance.
Bourne’s Pioneering Approach to Ballet
Unlike many contemporary ballet directors who often prioritize spectacle over substance, Matthew Bourne remains devoted to the essence of storytelling. His rendition of “Sleeping Beauty” is a testament to this commitment, ensuring the narrative captivates the audience from the onset. The ballet unfurls with a potent aura of suspense, holding the audience’s attention unwaveringly. Among the many memorable sequences is the introduction of a brilliantly crafted puppet child, whose mischievous antics offer delightful chaos. Further scenes evoke an array of emotions, from sheer wonder to profound empathy, a testament to Bourne’s mastery.
Where top-tier ballet companies often boast of superhuman dance feats, Bourne’s troupe offers something different: relatability. His performers exude a human touch, making the drama deeply resonant. A noteworthy instance is his interpretation of the iconic ‘Rose Adagio.’ Instead of focusing on grandeur and gravity-defying moves, Bourne spotlights the tender, playful, and whimsical interactions of two young lovers. However, one critique that has emerged is the use of recorded music. Given Tchaikovsky’s splendid compositions, a live orchestra would have elevated the experience manifold.
Yet, even with this shortcoming, Bourne’s choreography is a visual feast. It might not strictly adhere to classical ballet conventions, but it offers a freshness that continually captivates the gaze. His harmonious blend of costumes, sets, and lighting crafts vivid scenes, each integral to advancing the tale. From humor to gravity, from good to evil, the narrative effortlessly guides the audience’s emotions, ensuring they remain invested throughout. The performance culminates in a heartwarming finale that leaves spectators of all ages spellbound. The tale’s conclusion is both cheeky and endearing, ensuring that the magic lingers long after the curtains descend.
A Stellar Cast Breathing Life into the Tale
The performance on January 24th showcased a commendable ensemble:
- Dark Fairy Carabosse & her vengeful son Caradoc: Jackson Fisch;
- Benevolent King of the Fairies, Count Lilac: Dominic North;
- Regal Queen Eleanor: Kayla Collymore;
- King Benedict: Danny Reubens;
- The bestowed Princess Aurora: Ashley Shaw;
- The humble yet passionate Royal Gamekeeper, Leo: Andrew Monaghan.
Undoubtedly, Matthew Bourne, wearing multiple hats as the director, choreographer, and visionary, has given a new dimension to a timeless scenario, ensuring “Sleeping Beauty” remains a cherished tale for generations to come.
The Evolution of a Classic
Bourne’s “Sleeping Beauty” is not merely a retelling, but a reimagination. Ballet purists might argue the merits of keeping classical tales untouched, but Bourne’s version underscores the importance of evolution in art. By bringing contemporary touches and nuanced character development, he ensures that the ballet remains relevant and accessible to modern audiences. This contemporary take resonates with today’s world, highlighting themes of love, revenge, and the timeless battle between good and evil.
The Significance of Setting
The choice of the Theatre Royal in Nottingham was no mere coincidence. The theater itself, with its rich history and architectural beauty, complements the timelessness of the tale. As attendees walk through its grand doors, there’s a palpable sense of entering a realm where the past and present coalesce. Within this perfect setting, Bourne’s “Sleeping Beauty” unfolds, creating an ambiance that’s both nostalgic and novel.
The Audience’s Experience
Talk to any attendee, and the responses often echo a similar sentiment: immersion. Bourne’s rendition draws spectators into its universe, making them feel as if they’re not merely watching, but living the story. The reimagined characters, especially the deeper and more intricate personalities of Aurora and Leo, allow the audience to form a connection, to root for their love story, and to experience the highs and lows alongside them.
Moreover, the ballet evokes a gamut of emotions. From the humor of the puppet child’s antics to the tension surrounding Caradoc’s quest for revenge, the audience is taken on a roller coaster of feelings, ensuring they remain engaged throughout. It’s this emotional depth, coupled with a fresh perspective, that ensures a standing ovation at every performance. In essence, Bourne’s “Sleeping Beauty” is more than just a ballet; it’s an experience. An experience that redefines how classic tales can be approached, ensuring they remain etched in the hearts of spectators for years to come.