RUFF, London, Archive

Presented by Split Britches

Barbican Silk Theatre
Silk Street,
London EC2Y 8DS

70 mins without interval followed by 20mins Q&A

TICKETS: 0845 120 7550
In person: Mon– Sat, 9.00am-8pm; Sun & Bank Hols 11.00am-8pm

Review: by Carole Woddis of performance seen April 16, 2016

As great as ever
Peggy Shaw’s last show in London, MUST was at Soho Theatre in May 2010. Give or take a few details (now she looks even more like Sean Penn), RUFF bears an uncanny resemblance to it.

Which is a miracle. Four and a half years ago Shaw suffered a stroke. And the wonder of seeing Peggy, sardonic and charismatic as ever, is that she is back. If inevitably she is forced to accommodate herself to medical realities with auto-cue and the occasional long pause, well, that only adds to the mix.

For nearly four decades, Shaw with Lois Weaver formed the legendary lesbian duo, Split Britches, Shaw supplying the `butch’, male counterpart to Weaver’s ultra `femme’.

But Shaw’s persona has always had a particular pull on the public imagination. Her frame may be bulkier now, her walking less sure. But her capacity to use her own body as a map on which to tell not just her history but universal common denominators remains undimmed.

If MUST was about love, desire and memories our bodies retain, RUFF equally is about loss of memory but still things the body tells us to which we should pay due attention. Shockingly, at one point, she feels herself inhabited by a beloved dead sister, Norma and when eventually, ghost exorcised, she confesses to feeling `released’, it’s a mixed blessing: a loss of something she never even knew she needed.

A pioneer still, it’s a show that often threatens to go off the rails but stays fully on by virtue of Shaw’s artistry, wit and wisdom.

One moment she’s describing the malfunctions of her brain, the next belting out a version of Jacques Brel’s Jacky, lip-synching to Leonard Cohen singing, `I’m Your Man’ or her very own stroke-adapted version of the Hokey Cokey.

Ever open to self-deprecation, Shaw has a very funny riff about coming out of hospital after the stroke, `a straight white guy, only able to do one thing at a time, with a ready support system’.

In the end, as I wrote in 2010, `its beauty lies as much in her inimitable persona as it does in the musical and visual architecture with which Willson (in this case Weaver) cleverly embellishes her special story.’

Welcome back, Peggy!

Split Britches presents

Performed by Peggy Shaw

Written by Peggy Shaw and Lois Weaver

Directed by Lois Weaver
Music by Paul Clark
Music and sound by Vivian Stoll
Set and media design by Matt Delbridge
Lighting design and video photography by Lori E. Seid

Produced by In Company Collective
Music by: Antonia Abramova, Maggie Connell, Missy Connell, Ellie Covan, Terry Dame, Sharon Jane Smith and Vivian Stoll with thanks to the Deadly Nightshade for laying down some tracks

Presented by the Barbican

RUFF made possible by commissioning support from PS122, the Ethyl Eichelberger Award, Out North Contemporary Art House (Anchorage AK) with funding by the Gesso Foundation.

RUFF develop with support from MAP Fund, a programme of Creative Capital supported by the Doris Duke Charitable Foundation, the Andrew W Mellon Foundation and residenciews at Dixon Place and La MaMa, New York.

RUFF is also supported by Wellcome Trust People Aware

2016-04-18 09:56:21

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